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![]() Félix Nadar Photograph of Sarah Bernhardt Paris, ca. 1864
Frequently she [Carrie] had considered the stage as a door through which she might enter that gilded state which she had so much craved. Now, as in Chicago, it came as a last resource in distress. Something must be done if he [Hurstwood] did not get work soon. Perhaps she would have to go out and battle again alone. . . . Philip H. Ward Collection of Theatrical Images, 1856-1910
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