Marian Anderson (1897-1993) was world-renowned as a contralto. She also challenged racial barriers in the United States. Her dramatic open-air concert at the Lincoln Memorial in 1939, after she was banned from singing in Constitution Hall, was delivered to 75,000 listeners. She was the first African American to sing at the Metropolitan Opera in 1955.
The Marian Anderson Collection includes Anderson's personal papers--including letters, music scores, programs, photographs, and sound recordings--and affiliated materials, along with additional donations to the University of Pennsylvania Libraries. All of these collections are housed in the Kislak Center.
Organization of the Marian Anderson Collection
Researchers should be aware that materials by and relating to Marian Anderson are cataloged in a number of different collections. Following is a separation list. Note: links are provided either to archival finding aids or to search results in the Franklin catalog.
Ms. Coll. 199: Marian Anderson Collection of Music Manuscripts. 83 boxes. Note: search result provides over 2000 items, sorted alphabetically by composer.
Ms. Coll. 200: Marian Anderson Papers, 1897-1993. 450 boxes. Note: For a full listing of correspondence in the Marian Anderson Papers, researchers must search in the main online catalog, Franklin.
- Full listing of correspondents in the Marian Anderson Papers (in the online catalog, Franklin)
Ms. Coll. 640: James DePreist Papers. 130 boxes.
Rare Book Collection M1495.A64: Marian Anderson Collection of Printed Music. 66 boxes. Note: search result provides over 2600 items, sorted alphabetically by composer.