It is the birthright of every man and woman to be able to hear
inspired music, read good books and live for a time each year close to the earth and
the beauty of nature. Because I believe this, I am planning to work in Hollywood each
year for three or four months, with the object of doing everything I can to help bring
great music to the movies.
--Leopold Stokowski
(1937)
It was during the Philadelphia Orchestra's 1936 transcontinental
tour that the mutual attraction between Stokowski and the California movie industry was
born. The conductor's charismatic personality appealed to the Hollywood elite, and the
Orchestra's Los Angeles concerts were a huge success. At the conclusion of the tour
Stokowski returned to Hollywood for the first of his four films, The Big
Broadcast of 1937, in which he conducted an unnamed orchestra in two of his Bach
transcriptions. Soon followed the successful 100 Men & a Girl (1937),
the story of a young singer (Deanna Durbin) who attempts to convince the great maestro
Leopold Stokowski to conduct an orchestra composed of unemployed musicians. In
addition to making his acting debut in the film, Stokowski performed Bach's D minor
Toccata and Fugue on the piano and conducted several orchestral works (with a
soundtrack recorded by the Philadelphia Orchestra). Fantasia (1940)
occupied Stokowski for the following two years and in 1947 his film career came to an
end with Carnegie Hall, in which he conducted the New York Philharmonic in
the slow movement of Tchaikovsky's Fifth Symphony.
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